动作中的动物标本制作,(非)鸟瞰视角:澳大利亚博物馆的舞蹈失踪

Q1 Social Sciences
Susanne B. Schmitt
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引用次数: 1

摘要

这件反思作品质疑了在博物馆空间里,对运动的关注能给理解带来什么,而不仅仅是人与人之间的关系。它通过放大舞蹈编排和动物标本制作来做到这一点,这两种做法都能使动作和动觉变得更加自如。它聚焦于“发出脉冲!”,这是悉尼澳大利亚博物馆的一项艺术干预。上述作品是作者作为“如何不成为填充动物”的一部分制作的一个非传统的舞蹈音频行走,这是一个跨学科的艺术学术二人组。在鸟类灭绝故事的飞行路线之后,将探索通过多物种运动激活反应能力的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Taxidermy in Motion, (not) from a Bird’s-eye Perspective: Choreographing Disappearance at the Australian Museum Choreographing Disappearance at the Australian Museum
This reflection piece interrogates what a focus on movement can bring to understanding more-than-human relationality in a museum space. It does so by zooming in on choreography and taxidermy as practices that both enable movement and kinesthetic becoming. It focusses on “Send out a Pulse!”, an artistic intervention for the Australian Museum in Sydney. Said piece is a nontraditional, choreographic audio walk made by the author as part of “How to Not be a Stuffed Animal”, an interdisciplinary, artistic-scholarly duo. Following a flightway of birds’ extinction stories, ways to activate response-ability through multispecies movement will be explored.
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来源期刊
Ethnologia Europaea
Ethnologia Europaea Social Sciences-Cultural Studies
CiteScore
1.80
自引率
0.00%
发文量
6
审稿时长
52 weeks
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