Lorraine Noir:Didier Daenincx与去工业化写作

Q2 Arts and Humanities
T. Raboin
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引用次数: 1

摘要

ENG)本文以去工业化作家Didier Daenincx为研究对象。在小说《回放》(1986年)和《特拉弗斯28号》(1998年)等短篇小说中,他对法国的工业历史进行了多方面的批判。Daeinickx的第一个工具是写一部黑色的去工业化史,从而产生一部关于洛林的另类历史。在反思记忆的使用(以及他自己在这方面的工作)时,Daenincxx还写了一篇关于工业遗产新生业务的批评文章。最后,本文通过考察Daenincx作品对失落的工业世界的怀念,以及对后工业主观主义的谴责,来评价他的批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Lorraine Noir: Didier Daeninckx and the writing of deindustrialization
ENG) This article studies Didier Daeninckx as a writer of deindustrialization. In the novel PlayBack (1986) and in short stories such as “Traverse no 28” (1998), he weaves a multifaceted critique of France as haunted by its industrial past. Daeninckx’s first tool is to write a noir history of deindustrialization, thus producing a subaltern history of Lorraine. Reflecting on the uses of memory (and of his own work in that regard), Daeninckx also writes a criticism of the nascent business of industrial heritage. Finally, this article appraises Daeninckx’s critique by examining his writing’s nostalgia for a lost industrial world, as well and its denunciation of post-industrial subjectivations.
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来源期刊
Contemporary French Civilization
Contemporary French Civilization Arts and Humanities-History
CiteScore
0.30
自引率
0.00%
发文量
23
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