{"title":"Lorraine Noir:Didier Daenincx与去工业化写作","authors":"T. Raboin","doi":"10.3828/cfc.2020.12","DOIUrl":null,"url":null,"abstract":"ENG) This article studies Didier Daeninckx as a writer of deindustrialization. In the novel PlayBack (1986) and in short stories such as “Traverse no 28” (1998), he weaves a multifaceted critique of France as haunted by its industrial past. Daeninckx’s first tool is to write a noir history of deindustrialization, thus producing a subaltern history of Lorraine. Reflecting on the uses of memory (and of his own work in that regard), Daeninckx also writes a criticism of the nascent business of industrial heritage. Finally, this article appraises Daeninckx’s critique by examining his writing’s nostalgia for a lost industrial world, as well and its denunciation of post-industrial subjectivations.","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":"45 1","pages":"211-227"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Lorraine Noir: Didier Daeninckx and the writing of deindustrialization\",\"authors\":\"T. Raboin\",\"doi\":\"10.3828/cfc.2020.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ENG) This article studies Didier Daeninckx as a writer of deindustrialization. In the novel PlayBack (1986) and in short stories such as “Traverse no 28” (1998), he weaves a multifaceted critique of France as haunted by its industrial past. Daeninckx’s first tool is to write a noir history of deindustrialization, thus producing a subaltern history of Lorraine. Reflecting on the uses of memory (and of his own work in that regard), Daeninckx also writes a criticism of the nascent business of industrial heritage. Finally, this article appraises Daeninckx’s critique by examining his writing’s nostalgia for a lost industrial world, as well and its denunciation of post-industrial subjectivations.\",\"PeriodicalId\":53563,\"journal\":{\"name\":\"Contemporary French Civilization\",\"volume\":\"45 1\",\"pages\":\"211-227\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary French Civilization\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/cfc.2020.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French Civilization","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/cfc.2020.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Lorraine Noir: Didier Daeninckx and the writing of deindustrialization
ENG) This article studies Didier Daeninckx as a writer of deindustrialization. In the novel PlayBack (1986) and in short stories such as “Traverse no 28” (1998), he weaves a multifaceted critique of France as haunted by its industrial past. Daeninckx’s first tool is to write a noir history of deindustrialization, thus producing a subaltern history of Lorraine. Reflecting on the uses of memory (and of his own work in that regard), Daeninckx also writes a criticism of the nascent business of industrial heritage. Finally, this article appraises Daeninckx’s critique by examining his writing’s nostalgia for a lost industrial world, as well and its denunciation of post-industrial subjectivations.