帕普尼亚董事会的新历史,西部沙漠绘画运动的新开端

IF 0.4 1区 艺术学 0 ART
D. Jorgensen
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引用次数: 0

摘要

摘要西部沙漠绘画运动的起源于1971年和1972年澳大利亚中部的帕蓬亚定居点。直到最近,这些起源的故事一直被杰弗里·巴登的故事所主导,他在那里担任教师时帮助了早期的艺术家。巴登和后来的历史学家一直关注品图皮人的经历,品图皮是作为狩猎采集者从西方来到帕普尼亚的。最近,一群策展人和学者对这种强调提出了质疑,认为是来自东部和北部的安马特耶尔人创作了第一幅西部沙漠的画作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement
Abstract The origins of the Western Desert painting movement lie in the Central Australian settlement of Papunya in 1971 and 1972. The story of these origins has until recently been dominated by the story of Geoffrey Bardon who assisted the early artists while employed as a schoolteacher there. Bardon and subsequent historians have focused on the experience of the Pintupi, who came into Papunya from the west after living as hunter-gatherers. Recently a group of curators and scholars have questioned this emphasis, arguing that it was instead Anmatyerr men from the east and north who made the first Western Desert paintings.
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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