你想要ipsos保管人吗?西班牙电影转型中的制度性酷刑

IF 0.3 3区 文学 N/A LITERATURE
David Delgado López
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引用次数: 0

摘要

本文分析了20世纪80年代西班牙电影中对制度化酷刑的表现,因为它谴责了民主早期的警察做法。因此,本文在Sophie Baby和Ignacio Mendiola的研究基础上,对西班牙过渡时期的酷刑数据进行了研究和检验。它还分析了酷刑在民主政府中的作用通过与Darius Rejali的作品的对话。在此前提下,本文考察了两部电影,这两部电影因其在银幕上展示的不同主题以及它们在西班牙电影中所代表的不同视角而备受赞誉,但两者都表达了对国家酷刑的明确表达。这些电影是:昆卡的犯罪(1979)和米克尔的死亡(1984)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quis custodiet ipsos custodes? Tortura institucional en el cine español de la Transición
Abstract This essay analyzes the representation of institutionalized torture in 1980’s Spanish cinema as it denounces police practices during the early years of Democracy. Consequently, this essay studies and examines the data on tortures practiced during the Spanish Transition based on Sophie Baby’s and Ignacio Mendiola’s research. It also analyzes the role torture has in a democratic government in conversation with Darius Rejali’s work. Under this premise, the essay examines two films which have been celebrated due to the different topics they show on screen and the different perspectives they represent within Spanish cinema, yet both express a clear representation of state torture. These movies are: El crimen de Cuenca (1979) and La muerte de Mikel (1984).
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.
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