贡献者

IF 0.2 2区 艺术学 0 MUSIC
Leah Batstone
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引用次数: 0

摘要

Leah Batstone(leah.batstone@mail.mcgill.ca)2019年获得麦吉尔大学博士学位。本文通过对尼采思想界对马勒早期交响曲的接受研究,考察了弗里德里希·尼采对马勒前期交响曲的影响。她的专业知识延伸到中欧和东欧的身份认同和艺术音乐问题。巴特斯通是维也纳大学2020–3 Marie Skłodowska Curie Action REWIRE奖学金的获得者,她将在那里研究乌克兰20世纪艺术音乐的历史。她正在完成一本专著《马勒的尼采》;《19世纪音乐》杂志即将发表一篇关于马勒和维也纳多民族身份的文章。她目前在纽约市立大学亨特学院任教。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contributors
Leah Batstone (leah.batstone@mail.mcgill.ca) received her Ph.D. from McGill University in 2019. Her dissertation examines the influence of Friedrich Nietzsche on Mahler’s early symphonies through the study of Nietzsche’s reception by the composer’s intellectual circle. Her expertise extends to issues surrounding identity and art music in central and eastern Europe. Batstone is the recipient of a 2020–3 Marie Skłodowska Curie Action REWIRE fellowship at the University of Vienna, where she will be working on a history of twentieth-century artmusic inUkraine. She is completing a monograph, Mahler’s Nietzsche; and an article on Mahler and multiethnic identity in fin-de-siècle Vienna is forthcoming in 19th-Century Music. She currently teaches at Hunter College, City University of New York.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
16
期刊介绍: The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.
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