《阿萨塔的女儿:反抗的抒情性自我民族志》

Dominique C. Hill
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引用次数: 0

摘要

这种抒情性的自我民族志扩展了自由斗争的面貌。(再次)以全新的视角转向持久的母女课,以及Assata Shakur坚持解放是一种责任,它引入了“凹槽”作为一种自由斗争的形式。通过在石场艺术公园拍摄的三张相应的图像,它呈现了一个黑人妇女在(重新)回忆童年的教训时所做的平凡而有影响力的动作,以在流行病中煽动快乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assata’s (Groove[ing]) Daughter: An Embodied Lyrical Autoethnography of Resistance
This embodied lyrical autoethnography expands the look of freedom fighting. (Re)turning to a lasting mother–daughter lesson with new eyes and Assata Shakur’s insistence that liberation is a duty, it introduces “groove[ing]” as a form of freedom fighting. Organized around and through three corresponding images taken at Stone Quarry Art Park, it renders visible quotidian and impactful movements made by a Blackgxrlwomxn when (re)membering lessons from childhood to incite pleasure amidst a pandemic.
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