超越人类世的艺术——生态变化背景下后人类中心主义艺术选例的哲学分析

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Dominika Czakon, N. Michna
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引用次数: 0

摘要

摘要:在这篇文章中,作者讨论了后人类中心主义艺术的精选例子,正如他们所展示的那样,这与人类的敏感性、关怀、同理心和同情心有关。Czakon和Michna展示了艺术创作,这些艺术创作是对当代世界紧迫问题做出有效快速反应的艺术范例。他们称之为后人类中心主义艺术,它对当今的主要生态和社会问题做出了批判性的反应。为此,在文章的第一部分和第二部分,他们简要地描述了传统的、以人类为中心的艺术与当代的后人类中心艺术之间的基本区别,这在女权主义哲学和妇女研究的框架内得到了广泛的研究。Czakon和Michna关注的是美术及其经典、审美愉悦、天才艺术家等基本美学概念,以及美与崇高的范畴和艺术沉思观的理想。然后,他们展示并描述了精选的艺术品实例,这些艺术品通过对当代世界生态变化的贡献来揭示其关键潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art Beyond the Anthropocene: A Philosophical Analysis of Selected Examples of Post-Anthropocentric Art in the Context of Ecological Change
abstract:In this article, the authors discuss selected examples of post-anthropocentric art, which—as they show—is associated with human sensitivity, care, empathy, and the capacity for compassion. Czakon and Michna present artistic creations that serve as examples of art that respond efficiently and quickly to the pressing problems of the contemporary world. This post-anthropocentric art, as they call it, critically reacts to major ecological and social problems of today. For this purpose, in the first and second part of the essay, they briefly characterize the basic differences between traditional, anthropocentric art and contemporary post-anthropocentric art, which has been broadly investigated in, among others, the framework of feminist philosophy and women’s studies. Czakon and Michna focus on such fundamental aesthetics concepts as fine arts and the canon thereof, aesthetic pleasure, and the artist of genius, as well as the categories of beauty and the sublime and the ideal of contemplative viewing of art. Then they present and describe selected examples of artworks that reveal their critical potential by contributing to ecological changes in the contemporary world.
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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