{"title":"龙舌兰巴洛克和雷金纳德·L·莫布里。美国原创：一个新世界，一个新的佳能Acis Productions LLC。2021。","authors":"Karin A. Cuellar Rendon","doi":"10.1017/S1752196323000196","DOIUrl":null,"url":null,"abstract":"In American Originals: A New World, A New Canon , Agave Baroque and Reginald L. Mobley present a survey of music composed in the Americas from colonial times up to the twentieth century. Showcasing music that is mostly by composers of color, this album confronts head-on our colonial and postcolonial musical histories while challenging the musical narrative we have been taught, that of the ontological supremacy of the European canon.","PeriodicalId":42557,"journal":{"name":"Journal of the Society for American Music","volume":"17 1","pages":"313 - 314"},"PeriodicalIF":0.2000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.\",\"authors\":\"Karin A. Cuellar Rendon\",\"doi\":\"10.1017/S1752196323000196\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In American Originals: A New World, A New Canon , Agave Baroque and Reginald L. Mobley present a survey of music composed in the Americas from colonial times up to the twentieth century. Showcasing music that is mostly by composers of color, this album confronts head-on our colonial and postcolonial musical histories while challenging the musical narrative we have been taught, that of the ontological supremacy of the European canon.\",\"PeriodicalId\":42557,\"journal\":{\"name\":\"Journal of the Society for American Music\",\"volume\":\"17 1\",\"pages\":\"313 - 314\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Society for American Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1752196323000196\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Society for American Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1752196323000196","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.
In American Originals: A New World, A New Canon , Agave Baroque and Reginald L. Mobley present a survey of music composed in the Americas from colonial times up to the twentieth century. Showcasing music that is mostly by composers of color, this album confronts head-on our colonial and postcolonial musical histories while challenging the musical narrative we have been taught, that of the ontological supremacy of the European canon.
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