国内提取物

IF 0.4 3区 文学 0 LITERATURE
Mai-Lin Cheng
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引用次数: 0

摘要

摘要:本文以通俗读物为媒介,解读浪漫主义文学。它询问浪漫主义读者如何在这一类型中,在书中和周围的社会世界中双重表达自己的位置。我追溯了当我们将阅读和写作重新定义为混合的、不可分割的活动时,女性写作和作者的概念会发生什么,这些活动不会在出版中终止,而是在阅读和写作、印刷品和手稿的循环中反复移动。焦点是路易莎·威尔德曼和她的丈夫写的两本19世纪的普通书中的一本,他们是拜伦故居纽斯特德修道院的主人和居民。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Domestic Extracts
Abstract:This article reads Romantic literature through the medium of the commonplace book. It asks how Romantic readers doubly articulated place in this genre, within both the volume and the social world around it. I trace what happens to conceptions of women’s writing and authorship when we reconceptualize reading and writing as blended, inseparable activities that do not terminate in publication but move iteratively through cycles of reading and writing, print and manuscript. The focus is on one of a pair of nineteenth-century commonplace books written by Louisa Wildman and her husband, owners and inhabitants of Byron's former home, Newstead Abbey.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
36
期刊介绍: Studies in Romanticism was founded in 1961 by David Bonnell Green at a time when it was still possible to wonder whether "romanticism" was a term worth theorizing (as Morse Peckham deliberated in the first essay of the first number). It seemed that it was, and, ever since, SiR (as it is known to abbreviation) has flourished under a fine succession of editors: Edwin Silverman, W. H. Stevenson, Charles Stone III, Michael Cooke, Morton Palet, and (continuously since 1978) David Wagenknecht. There are other fine journals in which scholars of romanticism feel it necessary to appear - and over the years there are a few important scholars of the period who have not been represented there by important work.
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