20世纪60年代的色情片:性、比基尼和活跃的女性身体

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
J. Ormrod
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引用次数: 0

摘要

从1959年到1966年,大约有66部好莱坞电影利用了冲浪热潮。20世纪60年代早期的冲浪热潮“冲浪探险”(Surfsploitation)跨越了音乐、漫画、电视、广告和电影。尤其是电影,在宣传中强调比基尼的重要性。比基尼是一件极具诱惑力的衣服,它隐藏着赤裸的身体,但又暴露了它。电影的制片人在跨媒体宣传中强调了比基尼的吸引力,他们承诺性,但却提供了空洞的情节,依靠喜剧、流行音乐和幻想来保持吸引力。在20世纪60年代初,比基尼被认为是一种来自欧洲的色情服装。为了迎合美国人对这种服装的看法,在时尚和消费主义中,它被重新包装为与女性青少年身体的运动和乐趣有关。本文将消费文化的宣传和广告材料与电影的宣传和广告材料进行比较,探讨在这个处于反动的50年代和60年代末第二波女权主义兴起之间的时代,比基尼是如何表达主动与被动的女性身体概念的。虽然这些电影的宣传承诺了性,但它们是高度道德的。然而,电影中活跃女性身体的表现及其宣传材料揭示了20世纪60年代初围绕女性代理的争论,在这个时代,女孩们不得不在20世纪50年代反动的社会要求与60年代后期第二波女权主义对女性的要求之间进行谈判。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
1960s surfsploitation films: Sex, the bikini and the active female body
From 1959 to 1966, approximately 66 Hollywood films were produced to exploit the surfing craze. Surfsploitation, the surf craze of the early 1960s, crossed music, comics, television, advertising and films. Films, especially, focused on the importance of the bikini in their promotion.The bikini, a liminal piece of clothing, conceals and yet reveals the naked body. The film’s producers emphasized the appeal of the bikini in the films’ cross-media promotion, which promised sex but delivered inane plots, dependent on comedy, pop music and fantasy for their continuing appeal. In the early 1960s the bikini was perceived as an erotic item of clothing from Europe. To appeal to American perceptions of the garment, in fashion and consumerism it was repackaged as related to sport and fun for the female teenage body. Comparing promotional and advertising materials of consumer culture with that of the films, this article explores how the bikini articulated notions of the active yet passive female body in this era on the cusp between the reactionary 1950s and the emergence of second-wave feminism of the late 1960s. Although the promotion from the films promised sex, they were highly moral. Yet the representations of the active female body in the films and their promotional materials reveal the debates around female agency for the early 1960s, an era when girls had to negotiate the societal demands of the reactionary 1950s with the demands placed upon women by second-wave feminism of the later 1960s.
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来源期刊
Film Fashion & Consumption
Film Fashion & Consumption HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
50.00%
发文量
6
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