最后一个是圣布莱斯:主教,寡妇和在Eichstätt的雷金诺德办公室的赞助人

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES
Alison Altstatt
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引用次数: 0

摘要

摘要本文涉及在十四世纪晚期克洛斯特·普雷茨本笃会修道院的反骗子D-PREk Reihe V G1中发现的一个零碎的圣布莱斯办公室。尽管来源日期较晚,但该办公室与圣尼古拉斯办公室在组成上的相似性支持了前者可能是编年史家Anonymus Haserensis将其归因于Eichstätt的Reginold主教(r.966–91)的一个失落的办公室的可能性。我认为,里贾诺德可能写了《圣布莱斯办公室》和《贝尔根伯爵(巴伐利亚公爵夫人比勒特鲁德)的传记》,编年史家称其为里贾诺德的赞助人。这一理论得到了对奥斯曼贵族寡妇的历史地位和实践、十世纪艾希施塔特圣徒崇拜的发展以及passio本身文本的考虑。这些发现为艾希特的雷吉诺尔德的办公室构成、奥斯曼对拜占庭圣人的崇拜以及10世纪末女性赞助人参与礼拜艺术和建立邪教提供了新的见解。这些发现也为Kloster Preetz的礼拜仪式的起源提供了线索,其母屋从未被确认。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘And lastly, one for Saint Blaise’: bishops, widows and patronage in a lost Office of Reginold of Eichstätt
ABSTRACT This article concerns a fragmentary Office for Saint Blaise found in D-PREk Reihe V G1, a late fourteenth-century antiphoner from the Benedictine convent of Kloster Preetz. Despite the late date of the source, compositional similarities between this office and the Saint Nicholas office support the possibility that the former may be a lost Office attributed to Bishop Reginold of Eichstätt (r. 966–91) by the chronicler Anonymus Haserensis. I argue that Reginold may have written both the Office for Saint Blaise and the recension of the passio on which it is based for Pia of Bergen (Biletrud, Duchess of Bavaria), whom the chronicler names as Reginold's patron. This theory is supported by a consideration of the historical position and practices of Ottonian aristocratic widows, the development of saints’ cults in tenth-century Eichstätt and the text of the passio itself. These findings give new insight into the office compositions of Reginold of Eichstätt, the Ottonian veneration of Byzantine saints and female patrons’ involvement in the liturgical arts and establishment of cults in the late tenth century. These findings also provide hints to the origin of the liturgy of Kloster Preetz, whose mother house has never been identified.
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
15
期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
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