划定一个范围接触区:短视频、乡村表演与中国社会空间秩序的中介

IF 2.4 2区 文学 Q1 COMMUNICATION
Sheng Zou
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引用次数: 1

摘要

随着“乡村振兴”计划的颁布,中国一直在推动科技与乡村的结合,为所谓的“新农村”描绘一个数字化的未来。乡村振兴不仅仅是一个社会经济项目,而是一个深刻的意识形态项目,它编排了一种社会空间秩序,塑造了一种有抱负的乡村主体性,并重新调整了对乡村的想象。本文考察了短视频在培育符合官方意识形态的新兴乡村表演方面的作用,通过田园诗般的乡村生活方式和景观展示,这些表现充满了情感和意识形态内涵。因此,农村视频博主和城市观众之间形成了一个大范围的接触区,其特点是相互占有和战略差异化。本文强调城乡结合部的局限性及其内在的“残酷乐观主义”,同时倡导一种激进的乌托邦,使人们能够想象数字农村的另类未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China
With the promulgation of the “rural revitalization” initiative, China has been promoting the marriage between technology and rurality to chart a digital future for what is christened “a new countryside.” Rural revitalization is not simply a socio-economic project but a profoundly ideological one, which choreographs a socio-spatial order, fashions an aspirational rural subjectivity, and realigns imaginaries of rurality. This article examines the role of short video in fostering an emergent rural performativity in line with official ideology through idyll-icized displays of rural lifestyles and landscapes, which are loaded with affective and ideological connotations. A scopic contact zone is thus carved out between rural vloggers and urban viewers, one characterized by mutual appropriation and strategic differentiation. This article foregrounds the limitations of this urban-rural contact zone and its immanent “cruel optimism,” while advocating a kind of radical utopia to enable imaginations of the alternative futures of digital rurality.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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