铁幕：从切尔诺贝利核灾难看俄罗斯话语的意识形态分析

IF 1.5 Q1 CULTURAL STUDIES

Journal for Cultural Research Pub Date : 2020-09-03 DOI:10.1080/14797585.2020.1810584

Mayte Donstrup, Cristina Algaba

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引用次数: 0

摘要

摘要在过去的几年里，在电视小说中，人们可以发现与特定社会政治背景相关的特定主题的复苏：冷战。在迷你剧《切尔诺贝利》等广受欢迎的电视连续剧中，俄罗斯人和苏联时代正变得越来越普遍。因此，本文的主要目的是确定其话语是如何构建的，以及它与电视行业和当前社会政治现实的关系。最终目的是反思电视小说如何成为衡量特定社会状况的宝贵基准，以及它如何为构建其集体想象做出贡献。

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The iron screen: an ideological analysis of the discourse on Russia through the nuclear disaster of Chernobyl

ABSTRACT In TV fiction, over the past years, it has been possible to detect the recuperation of specific themes linked to a particular sociopolitical context: the Cold War. The Russians and the Soviet era are becoming gradually more commonplace in highly popular television serial narratives like the miniseries Chernobyl. Accordingly, the main aim of this paper is to determine how its discourse is constructed and its relationship with the television industry and the current socio-political reality. The ultimate intention is to reflect on how TV fiction has become a valuable benchmark for gauging the situation of a specific society and how it has contributed to constructing its collective imaginaries.

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来源期刊

Journal for Cultural Research CULTURAL STUDIES-

CiteScore

1.40

自引率

0.00%

发文量

期刊介绍： JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.