普拉斯诗歌选集中的死亡观念及其与诗人自杀的关系&法医语言学研究

Vicha Faradika
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引用次数: 0

摘要

本文介绍了西尔维娅·普拉斯的诗歌选集《完整的Fathom Five》、《我是垂直的》、《Ariel》和《Edge》中出现的死亡观念,重点探讨了它们与诗人自杀前抑郁证据的关系。它可以从法医语言学的角度来考察诗人的自杀案件。本文运用亚历山大的诗歌手法和涂尔干的自杀理论,对普拉斯的自杀动机进行了定性分析。分析结果表明,普拉斯所选的诗歌确实是她在世时抑郁的证据。在法医语言学案例中,诗歌中的一系列抑郁证据可以作为自杀动机的证据,而自杀动机是通过她在诗歌中使用的语言而知道的。普拉斯的自杀动机基本上是指向自我毁灭的阶段,这是由于所选诗歌中对死亡的观念发生了变化,从死亡作为一种不可接受的东西,一种不可避免的选择,一扇重生之门,到最终解决所有生活问题。它是由个人感觉造成的,完全脱离了社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DEATH IDEAS IN PLATH’S SELECTED POEMS AND ITS RELATION TO POET’S SUICIDE: FORENSIC LINGUISTICS STUDY
This article describes death ideas which occur in Sylvia Plath‟s selected poems entitled “Full Fathom Five”, “I am Vertical”, “Ariel” and “Edge” which focused on their relation to poet‟s depression evidence before committing suicide. It can be used to investigate poet‟s suicide case in perspective of forensic linguistics. This is a qualitative research that is conducted by using L.G. Alexander‟s poetic devices and theory of suicide by Durkheim to analyse Plath‟s suicidal motives. The result of the analysis shows that Plath‟s selected poems are really standing out as the evidence of her depression during alive. In forensic linguistics case, the series of depression evidence in the poems can be the proof of suicidal unseen motives which are known through her language used in the poems. Plath‟s suicidal motives are basically oriented to the stage of self-destruction due to the changing ideas of death from the selected poems from death as unacceptable thing, an unavoidable choice, gate for a rebirth to final solution of all life's problems. It is caused by personal feeling that completely separate from community.
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