安东·福尔斯特作品中的塞西莉亚教堂音乐风格理想：在规范主义与再现实践的现实之间

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2022-05-31 DOI:10.3986/dmd18.1-2.05

Aleš Nagode

引用次数: 1

摘要

本文论述了塞西莉亚风格的多声部教堂音乐理想是如何在斯洛文尼亚被采用的。他简要介绍了它的特点，并以Anton Foerster（1837-1926）的创造力为例，观察了它的建立，他是这一运动斯洛文尼亚分支的中心音乐权威。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.