老塞内加的“修辞修辞”:奥维德修辞教育的一瞥

IF 0.2 3区 历史学 0 CLASSICS
ARETHUSA Pub Date : 2021-06-30 DOI:10.1353/are.2020.0008
L. Pernot
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引用次数: 0

摘要

摘要:古代修辞学家所说的“修辞”指的是演说家使用诡计来掩饰自己意图的情况。在我们所掌握的关于这一技术的理论文本中,塞涅卡的《老年人的争论》和《苏阿索里亚》的意义还没有得到充分的认识。塞涅卡通过丰富的词汇和有趣的观察揭示了他对图形语音的熟悉。多亏了《争议》和《苏阿索里亚》,我们可以一窥奥维德修辞教育的一个特定方面,因为奥维德经常出现在流行人物朗诵的圈子里,而他的大师、塞涅卡最好的朋友波尔丘斯·拉特罗是这一领域的专家。因此,形象言语的概念为解读奥维德诗歌开辟了一条研究途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Figured Speech” in Seneca the Elder: A Glimpse of Ovid’s Rhetorical Education
Abstract:By “figured speech,” ancient rhetoricians meant the cases in which an orator resorted to ruse to disguise his intentions. Among the theoretical texts we possess on this technique, the significance of Seneca the Elder’s Controversiae and Suasoriae has not been sufficiently recognized. Seneca reveals his acquaintance with figured speech through a rich vocabulary and interesting observations. Thanks to the Controversiae and Suasoriae, we can catch a glimpse of a particular aspect of Ovid’s rhetorical education, since Ovid frequented the circles in which figured declamation was fashionable, and his master and Seneca’s best friend Porcius Latro was an expert in the field. Thus the notion of figured speech opens an avenue of research into the interpretation of Ovidian poetry.
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来源期刊
ARETHUSA
ARETHUSA CLASSICS-
CiteScore
0.30
自引率
0.00%
发文量
4
期刊介绍: Arethusa is known for publishing original literary and cultural studies of the ancient world and of the field of classics that combine contemporary theoretical perspectives with more traditional approaches to literary and material evidence. Interdisciplinary in nature, this distinguished journal often features special thematic issues.
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