走向全球版权法:日本参与战前国际版权谈判

IF 0.6 Q2 AREA STUDIES
M. Hartmann
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引用次数: 0

摘要

摘要本文考察了战前日本国家与非国家在国际版权塑造中的相互作用。尽管1899年加入了《伯尔尼保护文学艺术作品公约》,但日本的国家代表——他们得到了出版商的建议,翻译和法律学者利用《公约》国际修订会议抵制国际版权界协调全球版权保护和进一步扩大权利保护的努力。20世纪20年代,新成立的国际联盟及其专家组织负责监管版权保护,并为日本出版商和其他私人行为者提供了一个新的平台,与国际社会分享他们的需求,从而直接干预扩大全球版权保护的进程。对日本国家和非国家行为者之间合作的分析表明,日本私营行业行为者不仅在日本,而且在全球版权规范的发展中,作为变革的推动者,发挥着至关重要的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Towards a global copyright law: Japan’s involvement in the prewar international copyright negotiations
Abstract This article examines the mutual agency of Japanese state and non-state in shaping international copyright in the prewar period. Despite having joined the Berne Convention for the Protection of Literary and Artistic Works in 1899, Japan’s state delegates – who were advised by publishers, translators and legal scholars – used the international revision conferences of the Convention to boycott the efforts of the international copyright community to harmonize global copyright protection and further extend the protection of rights. During the 1920s, the newly established League of Nations and its expert organizations became in charge of regulating copyright protection and provided a new platform for Japanese publishers and other private actors to share their demands with the international community and thereby to directly intervene in the process of expanding global copyright protection. The analysis of the cooperation between Japanese state and non-state actors demonstrate the crucial role that Japan’s private industry actors played as agents of change not only in Japan, but in the development of global copyright norms.
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来源期刊
Japan Forum
Japan Forum AREA STUDIES-
CiteScore
1.50
自引率
16.70%
发文量
29
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