弥合语言和符号的异质观——吉尔伯特·杜兰德的意象与马克·约翰逊的意象图式

Benito García-Valero
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引用次数: 0

摘要

摘要本文旨在弥合吉尔伯特·杜兰德和马克·约翰逊进行的人类学和认知主义研究,他们以相似的方式研究意义创造现象,尽管他们必须根据各自学科的要求使用不同的术语。杜兰德通过考虑身体的位置和决定符号潜在图式的感知,建立了分析象征主义的系统性。二十年后,马克·约翰逊将图像图式描述为具有源自身体感知的内部结构的格式塔。鉴于这些相似性,首先对杜兰德和约翰逊的理论进行了比较。其次,我回顾了杜兰德所描述的人类学想象机制的认知价值。在分析过程中,对这些理论家使用的术语(如“图像图式”或“公理图式”)进行了比较分析,以找到他们立场之间的共同点。总之,像杜兰德这样的异端学者提出的恢复想象理论的必要性得到了强调,因为他们预计图像和想象不仅在语言中发挥作用,正如约翰逊所证明的那样,而且在人类学相关符号的形成中也发挥作用,这对文学和其他艺术的分析很有兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bridging Heterodox Views on Language and Symbols: Gilbert Durand’s Imaginaire and Mark Johnson’s Image Schemata
Summary This paper aims to bridge anthropological and cognitivist research undertaken by Gilbert Durand and Mark Johnson, who studied the phenomenon of meaning making in a similar way, although they had to use different terminology as their disciplines demanded. Durand established systematization for analyzing symbolism by taking into account the position of the body and the perceptions determining the underlying schemata of symbols. Two decades later, Mark Johnson described image schemata as gestalts having an internal structure derived from bodily perceptions. Owing to these similarities, a comparison between Durand and Johnson’s theories is offered first. In the second place, I reviewed the cognitive value of the anthropological regimes of imaginaire described by Durand. During the analysis, the terminology used by these theorists (like ‘image schemata’ or ‘axiomatic schemata’) was comparatively analyzed to find common ground between their positions. In conclusion, the need for recovering theories of imagination proposed by heterodox scholars like Durand is highlighted, since they anticipate the role of images and imagination not only in language, as Johnson demonstrated, but also in the formation of anthropologically relevant symbols, which are of interest for the analysis of literature and other arts.
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