听力史

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2022-03-09 DOI:10.1017/rma.2021.27

K. Bijsterveld

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引用次数: 0

摘要

2019年1月，巴黎艺术与语言研究中心(CRAL)在L ' École des Hautes Études社会科学中心(EHESS)举办了“声音研究棱镜中的声音与音乐”会议。1一段精彩的视频宣布了这一事件:重金属乐队尖叫着会议的主题，并喊出每位演讲者的名字，而演讲者的名字又以哥特式血腥字体在屏幕上写出来。乐队的歌词指出，声音研究的重点是音景、噪音、沉默、录音技术和聆听等主题。最关键的是，乐队大声疾呼:“这些是音乐学长期以来一直在处理的问题。”那么音乐学在声音研究之后的地位是什么呢?”

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Histories of Hearing

In January 2019, the Centre de Recherches sur les Arts et le Langage (CRAL) at L’École des Hautes Études en Sciences Sociales (EHESS) in Paris presented the conference Sound and Music in the Prism of Sound Studies.1 A spectacular video announces the event: a heavy-metal band screams about the conference’s themes and cries out each speaker’s name, which is in turn spelt out on screen in gothic-bloody font. The band’s song lyrics note that the focus of sound studies is on topics such as soundscape, noise, silence, recording techniques and listening. Most critically, the band shouts: ‘These are issues that musicology has been dealing with for a long time. What is then the place of musicology in the wake of sound studies?’

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来源期刊

Journal of the Royal Musical Association MUSIC-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.