{"title":"体现/写作/表演“女性作品”：女性主义表演性民族志的愉悦张力与双重束缚","authors":"S. Swafford","doi":"10.1080/10462937.2021.1993318","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay explores a feminist aesthetics of performative autoethnography. I trace the connections between performance studies and feminist body-writing practices and argue for the creative double bind as a heuristic for negotiating the “pleasurable tensions” between body/paper/stage. Locating these connections and tensions in my autoethnographic performance work, I articulate three double binds – material/social, personal/political, and aesthetic/ethic – that illustrate the “women’s work” of feminist performative autoethnography.","PeriodicalId":46504,"journal":{"name":"Text and Performance Quarterly","volume":"42 1","pages":"1 - 16"},"PeriodicalIF":0.6000,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography\",\"authors\":\"S. Swafford\",\"doi\":\"10.1080/10462937.2021.1993318\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay explores a feminist aesthetics of performative autoethnography. I trace the connections between performance studies and feminist body-writing practices and argue for the creative double bind as a heuristic for negotiating the “pleasurable tensions” between body/paper/stage. Locating these connections and tensions in my autoethnographic performance work, I articulate three double binds – material/social, personal/political, and aesthetic/ethic – that illustrate the “women’s work” of feminist performative autoethnography.\",\"PeriodicalId\":46504,\"journal\":{\"name\":\"Text and Performance Quarterly\",\"volume\":\"42 1\",\"pages\":\"1 - 16\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2021-10-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Text and Performance Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10462937.2021.1993318\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Text and Performance Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10462937.2021.1993318","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Embodying/writing/performing “women’s work”: pleasurable tensions and double binds of feminist performative autoethnography
ABSTRACT This essay explores a feminist aesthetics of performative autoethnography. I trace the connections between performance studies and feminist body-writing practices and argue for the creative double bind as a heuristic for negotiating the “pleasurable tensions” between body/paper/stage. Locating these connections and tensions in my autoethnographic performance work, I articulate three double binds – material/social, personal/political, and aesthetic/ethic – that illustrate the “women’s work” of feminist performative autoethnography.
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