犹太人布达佩斯不断变化的记忆:一个城市在大屠杀前后的表现

IF 0.2 Q2 HISTORY
Alexandra M. Szabó
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引用次数: 0

摘要

在大屠杀之前,布达佩斯是中欧地区最大的犹太社区之一,而在20世纪之交,这座城市成为大都市的历史离不开它的犹太居民。本文通过包括其现代历史、文学和城市建筑的文化遗产,研究了犹太人布达佩斯的学术观念。这几个方面的交集建立了一个概念框架,展示了犹太人的布达佩斯在大屠杀之前是一个充满活力的家,在大屠杀之后以一种新的方式被人们记住。犹太人对布达佩斯的感知呈现为可见和不可见,我的调查线考虑了这两种情况,只要它们在ernezszacei, Tamás Kóbor, Ferenc Molnár, Imre kertacei和Susan Robin Suleiman的作品中被传达。布达佩斯的记忆可能是一个色彩斑斓的灰色形象,但1945年后的艺术话语最终呈现出布达佩斯双重形象的记忆装置,从而产生更复杂的视觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Changing Memories of Jewish Budapest: Pre- and Post-Holocaust Representations of a City
Budapest was the home to one of the largest Jewish communities in the central European region before the Holocaust, and the history of the city becoming a metropolis at the turn of the twentieth century cannot be told without its Jewish inhabitants. This paper examines the scholarly established notion of the Jewish Budapest by including its modern history, literature, and the city's cultural heritage of architecture. The intersection of the several aspects establishes a conceptual framework that shows how the Jewish Budapest is considered a lively home before the Shoah, and remembered after the Shoah in a new light. The perception of Jewish Budapest presents itself as visible and invisible, and my line of investigation regards both as long as they are conveyed in the writings of Ernő Szép, Tamás Kóbor, Ferenc Molnár, Imre Kertész, and Susan Robin Suleiman. The memory of Budapest might be a colorful image turned into gray, yet eventually the artistic utterances after 1945 present the mnemonic device of a dual image of Budapest, resulting in a more complex vision.
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来源期刊
Cultural History
Cultural History HISTORY-
CiteScore
0.70
自引率
0.00%
发文量
23
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