《剧院中的动觉观众:现象学、认知、运动》,斯坦顿·B·加纳小詹著,瑞士:帕尔格雷夫·麦克米伦,2018;第xii+277页$99.99块布,29.99美元的纸,19.99美元的电子书。

IF 0.3 3区 艺术学 0 THEATER
A. Versényi
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引用次数: 0

摘要

它有力地介绍了作为一个真正的动物的人类,同时也展示了非人类的能动性和自我表达。综合来看,《情感、动物和自闭症患者》是向提出将传统上受压迫、受迫害和被征服的人团结在一起的难题迈出的第一步。尽管卡尔森在陈述案例研究之间更广泛的联系时仍然犹豫不决,动物在文本中相对缺席,但《情感、动物和自闭症患者》对残疾人的声音和表现进行了令人钦佩的分析。这本书打开了通往困难舞台的大门,在那里,有能力的人和残疾人、人和动物、神经正常的人和神经多样的人以独特而奇妙的解放方式组成了“人”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kinesthetic Spectatorship in the Theatre: Phenomenology, Cognition, Movement By Stanton B. Garner Jr. Cham, Switzerland: Palgrave Macmillan, 2018; pp. xii+ 277. $99.99 cloth, $29.99 paper, $19.99 e-book.
results in a powerful introduction to being human that is truly also animal, while making visible instances of nonhuman agency and expressions of selfhood. Taken together, Affect, Animals, and Autists is an excellent first step toward asking difficult questions of bringing together the traditionally oppressed, persecuted, and subjugated. While Carlson remains hesitant in stating wider connections among case studies, and animals remain relatively absent from the text, Affect, Animals, and Autists provides an admirable analysis of disabled voices and representation in performance. The book has opened the door to the difficult arena where able and disabled, human and animal, and neurotypical and neurodiverse make up the “human” in ways that are all unique and wonderfully liberating.
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来源期刊
THEATRE SURVEY
THEATRE SURVEY THEATER-
CiteScore
0.40
自引率
0.00%
发文量
42
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