父权制与音乐产业:电影《卡拉》述评

Q2 Social Sciences
Avneesh Kumar, Lakhan Raghuvanshi
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引用次数: 1

摘要

宝莱坞电影主宰了印度电影业。一部典型的宝莱坞电影围绕着喜剧、动作、歌曲和舞蹈片段,以及顶级戏剧展开。“习惯观众”接受了这种电影文化,这种文化在电影的整个过程中提供娱乐(Srinivas,1998)。近年来,几位实验电影制作人努力挑战这种电影文化和宝莱坞风格电影的统治地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Patriarchy and the music industry: review of the film Qala
Bollywood movies dominate the Indian film industry. A typical Bollywood movie revolves around comedy, action, song, and dance sequences, as well as over-the-top drama. The “ habituated audience ” has embraced this movie culture that provides entertainment throughout the duration of the film (Srinivas, 1998). In recent years, several experimental filmmakers have strived for challenging this movie culture and the domination of Bollywood-style movies.
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来源期刊
Media Asia
Media Asia Social Sciences-Social Sciences (miscellaneous)
CiteScore
1.10
自引率
0.00%
发文量
39
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