跨学科的基于研究的戏剧:一种关系式的探究方法

IF 0.2 0 THEATER
T. Shigematsu, Christopher Cook, G. Belliveau, Graham W. Lea
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引用次数: 1

摘要

研究型戏剧(RbT)是一种创新的研究方法,它利用戏剧实践和惯例来参与和分享研究。它本质上是一种协作和关系的方法,邀请研究参与者、艺术家和研究人员参与具体的数据生成、分析和知识交流活动。这种方法包括写作、排练和表演一个基于研究的独白、场景或戏剧。在本文中,作者分享了三个最近的跨学科项目的例子,在这些项目中,研究人员和艺术家与不同的社区合作,使用RbT方法方法戏剧化数据。为了增加该领域的文献,作者考虑了他们在三个不同领域领导RbT项目的经验:戏剧、社会和治疗。作者探讨了RbT如何改变关系以及关系如何改变RbT的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research-based theatre across disciplines: A relational approach to inquiry
Research-based theatre (RbT) is an innovative research methodology that draws on theatre practices and conventions to engage in and share research. It is an inherently collaborative and relational methodology, inviting research participants, artists and researchers to take part in embodied data generation, analysis and knowledge-exchange activities. This methodology encompasses writing, rehearsing and performing a research-based monologue, scene or play. In this article, the authors share three recent examples from interdisciplinary projects where researchers and artists engaged with different communities to dramatize data using an RbT methodological approach. To add to literature in the field, the authors consider their experiences leading RbT projects in three disparate fields: theatrical, social and therapeutic. The authors explore the question of how RbT transforms relationships and how relationships transform RbT.
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来源期刊
CiteScore
0.70
自引率
50.00%
发文量
6
期刊介绍: Applied Theatre Research is the worldwide journal for theatre and drama in non-traditional contexts. It focuses on drama, theatre and performance with specific audiences or participants in a range of social contexts and locations. Contexts include education, developing countries, business and industry, political debate and social action, with children and young people, and in the past, present or future; locations include theatre which happens in places such as streets, conferences, war zones, refugee camps, prisons, hospitals and village squares as well as on purpose-built stages. The primary audience consists of practitioners and scholars of drama, theatre and allied arts, as well as educationists, teachers, social workers and community leaders with an awareness of the significance of theatre and drama, and an interest in innovative and holistic approaches to theatrical and dramatic production, learning and community development. Contributors include eminent and experienced workers and scholars in the field, but cutting-edge contemporary and experimental work from new or little-known practitioners is also encouraged. This double-blind peer-reviewed journal has a global focus and representation, with an explicit policy of ensuring that the best and most exciting work in all continents and as many countries as possible is represented and featured. Cultural, geographical, gender and socio-economic equity are recognised where possible, including in the Review Board.
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