{"title":"阿根廷图库曼考古和博物馆研究所考古和民族志藏品摄影测量文献","authors":"Roy Arturo Casañas Rigoli","doi":"10.14568/CP2020032","DOIUrl":null,"url":null,"abstract":"This paper presents the creation of tridimensional models by using digital photographic techniques and Structure for Motion software, applied for the particular case of the archaeological and ethnographical collections of the Storage Area of the Instituto de Arqueologia y Museo, Universidad Nacional de Tucuman, Argentina. As a result, we present the workflow elaborated to create the 3D record of the objects belonging to the collection. Our aim is to test possibilities, scopes and limits of this approach applied to the record, research and exhibition in the archaeological and museology fields.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2021-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Photogrammetric documentation on archaeological and ethnographic collections of the Institute of Archaeology and Museum, Tucumán, Argentina\",\"authors\":\"Roy Arturo Casañas Rigoli\",\"doi\":\"10.14568/CP2020032\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper presents the creation of tridimensional models by using digital photographic techniques and Structure for Motion software, applied for the particular case of the archaeological and ethnographical collections of the Storage Area of the Instituto de Arqueologia y Museo, Universidad Nacional de Tucuman, Argentina. As a result, we present the workflow elaborated to create the 3D record of the objects belonging to the collection. Our aim is to test possibilities, scopes and limits of this approach applied to the record, research and exhibition in the archaeological and museology fields.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-03-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/CP2020032\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/CP2020032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文介绍了使用数字摄影技术和Structure for Motion软件创建三维模型的方法,该软件适用于阿根廷图库曼国立大学Arqueologia和Museo研究所存储区的考古和民族志藏品的特殊情况。因此,我们介绍了创建属于集合的对象的3D记录的详细工作流程。我们的目标是测试这种方法应用于考古和博物馆学领域的记录、研究和展览的可能性、范围和局限性。
Photogrammetric documentation on archaeological and ethnographic collections of the Institute of Archaeology and Museum, Tucumán, Argentina
This paper presents the creation of tridimensional models by using digital photographic techniques and Structure for Motion software, applied for the particular case of the archaeological and ethnographical collections of the Storage Area of the Instituto de Arqueologia y Museo, Universidad Nacional de Tucuman, Argentina. As a result, we present the workflow elaborated to create the 3D record of the objects belonging to the collection. Our aim is to test possibilities, scopes and limits of this approach applied to the record, research and exhibition in the archaeological and museology fields.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.