颜色图表

IF 0.2 2区艺术学 0 ART

ARTMargins Pub Date : 2023-06-01 DOI:10.1162/artm_a_00353

Bani Abidi

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引用次数: 1

摘要

摘要在互联网出现之前，西方艺术史教育在巴基斯坦的传播主要是通过原始出版物的黑白复印件。艺术书籍的光滑页面被改造成了各种灰色的粗糙副本。相反，我并没有将其理解为一种劣势，而是认为这种做法构成了一种激进的盗版形式——事实证明，这种材料的模糊、部分且往往完全无法理解的性质是一种解放。

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Color Charts

Abstract In the days before the arrival of the internet, Western art history education in Pakistan was mostly disseminated through black and white photocopies of original publications. The glossy pages of art books were transformed into rough copies in varying shades of gray. Rather than understanding this as a disadvantage, I propose, conversely, that this practice constituted a form of radical piracy—the blurred, partial and often completely indecipherable nature of this material proved to be, in fact, a kind of liberation.

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来源期刊

ARTMargins ART-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.