关于维尔纳·施罗特

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2022-03-01 DOI:10.1162/octo_a_00451

Nick Mauss

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引用次数: 0

摘要

在这篇文章中，艺术家尼克·莫斯(Nick Mauss)关注了维尔纳·施罗特(Werner Schroeter)早期电影中图像与声音之间的滑动，提出歌曲、言语、手势和情感之间的故意错位打开了一个激进的亲密空间和不可预见的表达潜力，这些都影响了莫斯自己的作品。追溯施罗特对浪漫主义和现代主义文学、前卫电影、哲学、流行音乐的影响，最重要的是，通过对口型的出现作为对质询的表演抵抗，莫斯还谈到了施罗特对电影制作人爱德华·欧文斯的艺术债务。

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On Werner Schroeter

Abstract In this essay, artist Nick Mauss draws attention to the slippage between image and sound in Werner Schroeter's early films, proposing that the deliberate misalignment between song, speech, gesture, and affect opens a space of radical intimacies and unforeseen expressive potentialities that inflect Mauss' own work. Tracing Schroeter's influences through romantic and modernist literature, avant-garde film, philosophy, pop music, and, most importantly, through the advent of the lip sync as a performative resistance to interpellation, Mauss also addresses Schroeter's artistic debt to the filmmaker Edward Owens.

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.