混乱与创造:亚当·范·维亚宁的吉尔特·尤尔

IF 0.2 4区 艺术学 0 ART
J. Whittle
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引用次数: 0

摘要

这座17世纪的水罐由金匠亚当·范·维亚南(Adam van Vianen)设计,其奇异的融化表面和从中浮现的固体形态引起了人们的好奇心,并引发了人们的研究。为了纪念他的兄弟,Paulus van Vianen,他在很大程度上发展了耳廓风格,这是一个值得探索的作品——你研究得越多,你就会看到更多,也会感到高兴。这件作品令人难以置信的复杂结构证明了它的每一种形式都有明显的精心设计和意图,提出了关于它们的个体意义和它们作为一个整体所传达的信息的问题。这项研究通过调查个体形式的含义和将它们作为一个群体联系起来的共性,回答了种植者对好奇心的呼唤。其结果是一次进入17世纪炼金术、自然哲学和艺术艺术世界的惊人之旅。对可见形式和折叠表面在其创作背景下的图像学意义的研究,使作者得出结论,该壶作为艺术创作过程的寓言,可视化艺术家将生命从混乱中带入世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chaos & Creation: Adam van Vianen's Gilt Ewer
With its bizarre melting surface and the solid forms emerging out of it, this seventeenth-century ewer by the goldsmith Adam van Vianen arouses curiosity and invites investigation. Commissioned in memory of his brother, Paulus van Vianen, who largely developed the auricular style perfected in it, this ewer is a work that rewards exploration – the more you investigate the more there is to see and be delighted by. The incredibly complicated construction of this piece attests to evident careful design and intent in every form in it, raising the question as to their individual meaning and the message they convey as a whole. This study answers the ewer’s call to curiosity by investigating the meanings of the individual forms and the commonalities that connect them as a group. The result is a surprising journey into the world of seventeenth-century alchemy, natural philosophy and Kunstkammers. Research into the iconographical meaning of both the visible forms and the folding surface in the context in which it was created has led the author of this analysis to conclude that the ewer functions as an allegory for the process of artistic creation, visualizing the artist bringing life into the world out of chaos.
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