{"title":"“旧约之外最著名的犹太人”:在克莱夫·辛克莱的《夏洛克必须死》中重新审视莎士比亚","authors":"Petr Anténe","doi":"10.31261/ir.2022.08.09","DOIUrl":null,"url":null,"abstract":"The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of the foundation of the Venetian ghetto. The stories also include tragicomic elements as typical features of Jewish literature. ","PeriodicalId":34463,"journal":{"name":"Iudaica Russica","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The most famous Jew outside the Old Testament”: Recontextualizing Shakespeare in Clive Sinclair’s Shylock Must Die\",\"authors\":\"Petr Anténe\",\"doi\":\"10.31261/ir.2022.08.09\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of the foundation of the Venetian ghetto. The stories also include tragicomic elements as typical features of Jewish literature. \",\"PeriodicalId\":34463,\"journal\":{\"name\":\"Iudaica Russica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Iudaica Russica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31261/ir.2022.08.09\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Iudaica Russica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/ir.2022.08.09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
英国犹太作家克莱夫·辛克莱(Clive Sinclair)遗作的短篇小说集《夏洛克必须死》(2018)与莎士比亚的戏剧《威尼斯商人》(The Merchant of Venice)进行了多种创作。这些短篇小说借鉴了《威尼斯商人》,尤其是反犹主义的主题和夏洛克作为主要的犹太人物,但通常发生在20世纪或21世纪,而不是文艺复兴时期。一些故事是对全球著名戏剧作品的回应,例如1944年在斯德哥尔摩,2012年在伦敦,或2016年在威尼斯,纪念威尼斯犹太人区成立50周年。这些故事还包含了悲喜剧元素,这是犹太文学的典型特征。
“The most famous Jew outside the Old Testament”: Recontextualizing Shakespeare in Clive Sinclair’s Shylock Must Die
The posthumously published short story collection Shylock Must Die (2018) by the British Jewish writer Clive Sinclair works with Shakespeare’s play The Merchant of Venice in a variety of creative ways. The short stories borrow from The Merchant of Venice especially the theme of antisemitism and Shylock as the main Jewish character but are usually set in the 20th or 21st century rather than in the Renaissance. Some stories react to notable productions of the play across the globe, e.g. in Stockholm in 1944, London in 2012 or in Venice in 2016, the year of the quincentennial commemorations of the foundation of the Venetian ghetto. The stories also include tragicomic elements as typical features of Jewish literature.