{"title":"展览中的布莱克,1904-2014","authors":"Martin Myrone","doi":"10.1080/14714787.2018.1524311","DOIUrl":null,"url":null,"abstract":"This article comments on the record of exhibition and display of Blake’s works in Britain from 1904 to 1914. It provides two check-lists: one of Blake loan exhibitions held in the UK over that period, the other a record of Blake’s presence on display at the national collection of British art, the Tate Gallery (now Tate Britain) in London. These records suggest the possibility of an as-yet-unwritten account of Blake’s reception history in the twentieth century, based on physical encounter with the works as well as the record of textual commentary.","PeriodicalId":35078,"journal":{"name":"Visual Culture in Britain","volume":"19 1","pages":"365 - 379"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14714787.2018.1524311","citationCount":"0","resultStr":"{\"title\":\"Blake in Exhibition and on Display, 1904–2014\",\"authors\":\"Martin Myrone\",\"doi\":\"10.1080/14714787.2018.1524311\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article comments on the record of exhibition and display of Blake’s works in Britain from 1904 to 1914. It provides two check-lists: one of Blake loan exhibitions held in the UK over that period, the other a record of Blake’s presence on display at the national collection of British art, the Tate Gallery (now Tate Britain) in London. These records suggest the possibility of an as-yet-unwritten account of Blake’s reception history in the twentieth century, based on physical encounter with the works as well as the record of textual commentary.\",\"PeriodicalId\":35078,\"journal\":{\"name\":\"Visual Culture in Britain\",\"volume\":\"19 1\",\"pages\":\"365 - 379\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14714787.2018.1524311\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Culture in Britain\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14714787.2018.1524311\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Culture in Britain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14714787.2018.1524311","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
This article comments on the record of exhibition and display of Blake’s works in Britain from 1904 to 1914. It provides two check-lists: one of Blake loan exhibitions held in the UK over that period, the other a record of Blake’s presence on display at the national collection of British art, the Tate Gallery (now Tate Britain) in London. These records suggest the possibility of an as-yet-unwritten account of Blake’s reception history in the twentieth century, based on physical encounter with the works as well as the record of textual commentary.