关于本期

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
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引用次数: 0

摘要

《计算机音乐杂志》37:2刊登了一篇文章,分析了各种音乐作品中的音频反馈系统。这篇文章的作者之一达里奥·桑菲利波(Dario Sanfilippo)在这一领域撰写了一篇博士论文。在本期杂志中,他发表了两篇文章,部分基于他的论文研究。第一种方法是使用复杂自适应系统领域的概念和词汇来考虑音乐反馈。该领域涉及复杂的非线性动力系统,因为它们的行为可能无法从系统内单个组件的行为中预测出来,并且自适应,因为行为随着时间的推移而变化,以响应事件。圣菲利普还借鉴了激进建构主义的哲学概念,以他自己的作品《构建现实》为例进行了研究。他的同伴文章阐明了他为这项工作实现的信号处理算法的技术方面。这些算法分析音频流中的短期或长期信息,例如在使用反馈模型的现场表演中捕获的信息。本期的第三篇文章关注的是空间化的心理声学——具体来说,是如何
本文章由计算机程序翻译,如有差异,请以英文原文为准。
About This Issue
Computer Music Journal 37:2 included an article analyzing audio feedback systems in various musical compositions. One of the article’s authors, Dario Sanfilippo, went on to write a Ph.D. thesis in this area. In the current issue, he presents a pair of articles based in part on his dissertation research. The first of these considers musical feedback using concepts and vocabulary from the field of complex adaptive systems. That field concerns nonlinear dynamical systems that are complex, in that their behavior may not be predictable from the behavior of individual components within the system, and adaptive, in that the behavior changes over time in response to events. Sanfilippo also draws upon the philosophical concept of radical constructivism, presenting as a case study his own composition Constructing Realities. His companion article elucidates technical aspects of the signal-processing algorithms he implemented for this work. These algorithms analyze the short-term or long-term information in audio streams, such as those captured in a live performance that uses a feedback model. This issue’s third article concerns the psychoacoustics of spatialization—specifically, how
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来源期刊
Computer Music Journal
Computer Music Journal 工程技术-计算机:跨学科应用
CiteScore
1.80
自引率
0.00%
发文量
2
审稿时长
>12 weeks
期刊介绍: Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.
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