“一个足够奇怪的地方,可以漫步和沉思”:维多利亚流行小说中的克莱肯威尔地图

Q2 Arts and Humanities
M. Vuohelainen
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引用次数: 1

摘要

本文借鉴伯特兰·韦斯特法尔的作品,试图对伦敦克莱肯威尔区进行地理批判解读。在讨论了人文学科中的空间转向并介绍了一系列空间批评方法后,本文从体裁混杂性和互文性、空间清晰的制图、多焦点和历史意识的公众感知以及与外部领域的潜在越轨联系等角度“映射”了克莱肯威尔文学。克莱肯威尔被认为刺激了一系列类型小说,包括《纽盖特》、现实主义小说、便士和贫民窟小说,以及社会探索新闻。在本文的大部分内容中,该地区是由其与犯罪、贫困、监禁和屠杀的负面联系来定义的。文章认为,这种负面形象是自我延续的,因为作者会受到阅读的影响,创造重复现有比喻的文学世界;这些文学表现反过来又影响了读者对该地区的看法。文章总结道,文本间的、多层次的、多感官的地理批评阅读可以产生文学场所的有力而微妙的画面,但在定义一个足够的地心语料库方面也面临着巨大的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“A strange enough region wherein to wander and muse”: Mapping Clerkenwell in Victorian Popular Fictions
Drawing on the work of Bertrand Westphal, this essay attempts to perform a geocritical reading of the London district of Clerkenwell. After discussing the spatial turn in the Humanities and introducing a range of spatial critical approaches, the essay “maps” literary Clerkenwell from the perspectives of genre hybridity and intertextuality, spatially articulate cartography, multifocal and historically aware public perception and potentially transgressive connection to outside areas. Clerkenwell is seen to have stimulated a range of genre fiction, including Newgate, realist, penny and slum fiction, and social exploration journalism. In much of this writing, the district was defined by its negative associations with crime, poverty, incarceration and slaughter. Such negative imageability, the essay suggests, was self-perpetuating, since authors would be influenced by their reading to create literary worlds repeating existing tropes; these literary representations, in turn, influenced readers’ perceptions of the area.Intertextual, multi-layered and polysensorial geocritical readings,the essay concludes, can producepowerful andnuanced pictures of literary placesbut also face a formidable challenge in defining an adequate geocentric corpus.
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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