{"title":"Calle 13和他们的社会话语","authors":"Carmen Esther Hernández Prieto","doi":"10.14482/INDES.26.2.780.03","DOIUrl":null,"url":null,"abstract":"Calle 13 was a Puerto Rican band that throughtout its musical trajectory produced different songs that open the eyes due to social discourse and controversial subjects. Also, these songs promote the identity search and resistance to oppression. Thus, this article proposes an analysis about the band’s last record, Multi Viral (2014); it is divided in different sections as the roots and the style influences of the band with La Nueva Canción and the folklore. Moreover, it explains topics like violence, manipulation, inequality and repression, that are presented in the songs \"El aguante\", \"Multi Viral\", \"Adentro\", and \"Cuando los pies besan el piso\".","PeriodicalId":32397,"journal":{"name":"Investigacion Desarrollo","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-04-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Calle 13 and their social discourse\",\"authors\":\"Carmen Esther Hernández Prieto\",\"doi\":\"10.14482/INDES.26.2.780.03\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Calle 13 was a Puerto Rican band that throughtout its musical trajectory produced different songs that open the eyes due to social discourse and controversial subjects. Also, these songs promote the identity search and resistance to oppression. Thus, this article proposes an analysis about the band’s last record, Multi Viral (2014); it is divided in different sections as the roots and the style influences of the band with La Nueva Canción and the folklore. Moreover, it explains topics like violence, manipulation, inequality and repression, that are presented in the songs \\\"El aguante\\\", \\\"Multi Viral\\\", \\\"Adentro\\\", and \\\"Cuando los pies besan el piso\\\".\",\"PeriodicalId\":32397,\"journal\":{\"name\":\"Investigacion Desarrollo\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Investigacion Desarrollo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14482/INDES.26.2.780.03\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Investigacion Desarrollo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14482/INDES.26.2.780.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
Calle 13是一支波多黎各乐队，在其音乐轨迹中，由于社会话语和争议话题，他们制作了不同的歌曲，让人大开眼界。此外，这些歌曲促进了对身份的寻找和对压迫的反抗。因此，本文提出了对乐队的最后一张唱片，Multi Viral(2014)的分析;它被分为不同的部分，作为乐队与La Nueva Canción和民间传说的根源和风格的影响。此外，它还解释了诸如“El aguante”、“Multi Viral”、“Adentro”和“Cuando los pies besan El piso”等歌曲中呈现的暴力、操纵、不平等和压迫等主题。
Calle 13 was a Puerto Rican band that throughtout its musical trajectory produced different songs that open the eyes due to social discourse and controversial subjects. Also, these songs promote the identity search and resistance to oppression. Thus, this article proposes an analysis about the band’s last record, Multi Viral (2014); it is divided in different sections as the roots and the style influences of the band with La Nueva Canción and the folklore. Moreover, it explains topics like violence, manipulation, inequality and repression, that are presented in the songs "El aguante", "Multi Viral", "Adentro", and "Cuando los pies besan el piso".
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