吉尔伯特·西蒙顿作品中的图形、基础和平衡概念与格式塔理论

Jacqueline Bellon
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引用次数: 0

摘要

摘要基于克劳修斯对“转换内容”的表述和由此产生的热力学第二定律,我证明吉尔伯特·西蒙登的《论技术对象的存在方式》在历史上处于理解开放系统热力学和相关平衡概念的门槛。此外,我表明,以Wolfgang Köhler为代表的格式塔理论,如果不是部分预料到甚至准备好的话,至少再现了20世纪思维的发展。最后,我举了一些简短的例子,说明西蒙顿如何将图形/基础区分应用于人类的感知、记忆和一般的形成理论,并介绍了他关于像分析形象法则一样彻底分析“基础”的建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Figure, Ground and the Notion of Equilibria in the Work of Gilbert Simondon and Gestalt theory
Summary Based on Clausius’ phrasing of a “transformational content” and the resulting 2nd law of thermodynamics, I demonstrated that Gilbert Simondon’s On the Mode of Existence of Technical Objects is historically situated at the threshold of understanding open systems thermodynamics and the related concepts of balance. Furthermore, I showed that Gestalt theory, as represented by Wolfgang Köhler, at least reproduced, if not partially anticipated or even prepared this development of 20th century thinking. Finally, I gave some short examples of how Simondon applied the figure/ground distinction to human perception, memory, and a general theory of becoming and I introduced his proposal to analyse “the grounds” just as thoroughly as the laws of figuration.
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