有声书文体:比较畅销部分的纸质书和有声书

Q1 Arts and Humanities
Karl Berglund, Mats Dahllöf
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引用次数: 5

摘要

本文通过计算文体学的方法探讨了基于订阅的流媒体图书服务(“beststreamers”)中最畅销的纸质书和最受欢迎的有声书之间的差异。本文的出发点是2015-2019年瑞典图书市场的完整的纸质畅销书和数字有声书最佳流媒体,共172本小说。我们探讨了34种语言测量方法,以跟踪子集之间在文体水平上的差异。结果表明,两种格式之间存在明显的差异。纸质畅销书篇幅更长,语法更复杂、更多样,而且似乎更注重描写。相比之下,流媒体上最好的有声书更短,写作更直接,似乎更突出情节和对话。同样的结果也适用于犯罪小说,这是商业小说中最突出的类型。鉴于这些结果,有人认为有可能将特定的有声书风格视为影响数字格式图书消费的一个因素,相反,印刷格式与其他风格偏好有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Audiobook Stylistics: Comparing print and audio in the bestselling segment
The paper explores differences between bestsellers in print and the most popular audiobooks in a subscription-based streaming service for books (“beststreamers”) by means of computational stylistics. The point of departure is the complete set of print bestsellers and digital audiobook beststreamers for the Swedish book market 2015–2019, in total 172 novels. We probed 34 linguistic measures to track differences between subsets at the stylistic level. The results indicate that there are pronounced differences between the formats. Print bestsellers are longer, syntactically more complex and varied, and seem to focus more on depiction. Beststreaming audiobooks, by contrast, are shorter, more straightforwardly written, and appear to highlight plot and dialogue. The results are replicated when the comparison is restricted to crime fiction, the most prominent genre in the commercial top segment. Given these results, it is argued that it is possible to discern a particular audiobook style as one factor affecting book consumption in digital formats, and conversely that the printed format is associated with other stylistic preferences.
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来源期刊
Journal of Cultural Analytics
Journal of Cultural Analytics Arts and Humanities-Literature and Literary Theory
CiteScore
2.90
自引率
0.00%
发文量
9
审稿时长
10 weeks
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