On Mascheroni's La geometria del compasso at the beginning of the 19th century

Lorenzo Mascheroni's 1797 work La geometria del compasso, which develops a geometry based solely on compass constructions, is considered by the author as stepping back behind the “demarcation line” of Euclidean geometry. In this work Mascheroni emphasizes the practical aspects of this geometry over a theoretical approach. A century later, in 1899, David Hilbert and his student Michael Feldblum proposed a totally different approach – algebraic and axiomatic – concerning geometric constructions based on various instruments. Taking into account that, at the end of the 18th century, straightedge geometry was also developed, one may ask what happened to the image of instrument-based geometry during the 19th century? By focusing on Mascheroni's book and its reception, this article aims to examine the various views and conceptions of mathematicians with respect to this geometry.