科威特-英国剧院服装设计中的再利用与回收策略

Ali Hussain
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引用次数: 0

摘要

在华丽的合奏计划和生成领域内重复使用和回收材料至关重要。当一部科威特戏剧结束时,合奏会被取消,现代合奏会在关键时刻被勾勒出来。这个hone展示了对重用过程的正念需求。这往往是一件真实的事情;成吨的材料正在被浪费,而不是被重新利用。目前为科威特剧院创作合奏的准备工作包括合奏的构思和描绘、现代质感的购买以及一代裁缝的工作。由于装修是外包的,所以缺乏能够独立制作服装的建筑师。当前句柄没有合并任何重用集合的策略。这与高水平的物质浪费相结合,产生于需要快速考虑的关键生物学问题。然而,在科威特这样的国家,在伊拉克入侵之前,这种电话很常见,但事实并非如此。这项定性研究旨在检查科威特服装商中现有的话筒,然后将其与英国服装商进行比较,英国服装商对现有可行(重复使用和回收)的整体方案话筒进行了说明。它指出,要探索科威特服装设计师对重复使用和再利用的心态和洞察力,以减少材料浪费。本文采用探索性和参与性两种基本调查模式。进行了思考以收集基本信息,对4名英国和4名科威特服装设计师进行了半结构化访谈,以启发了解他们在服装制作中的可持续设计过程的数据。本文将调查在英国和科威特调查企业和探索集合发起者使用的生成形式的发现。它将展示科威特观众的行为,加上他们对利用再利用和再利用方法制作合奏的知识需求,如何扩大了材料浪费,并对科威特剧院合奏计划行业产生了不利影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reusing and Recycling Strategies in Designing the Costume for the Theater between Kuwait and the UK
Reusing and recycling materials inside the domains of showy ensemble plan and generation is critical. When a Kuwaiti play wraps up its run, ensembles are tossed absent and modern ones are outlined when vital. This hone demonstrates a need for mindfulness of reusing procedures. This is often a genuine matter; tons of material materials are being squandered instead of reused. The current preparation of creating ensembles for Kuwait theatre preparations includes the conception and portraying of ensembles, the buy of modern textures, and the work of tailors for a generation. Since fitting is outsourced, there’s a deficiency of architects who can make outfits independently. The current handle does not consolidate any strategies for reusing ensembles. This combined with tall levels of material squander, comes about in critical biological issues that request quick consideration. However, in countries such as Kuwait, where the hone was commonplace earlier to the Iraqi intrusion, this can be not the case. This qualitative study looked for examining current hones among Kuwaiti costumiers and after that compared these to UK costumiers who give an illustration of existing feasible (reusing and recycling) ensemble plan hones. It pointed to explore the states of mind and discernment of Kuwaiti costumiers towards reusing and reusing as ways of lessening material squander. This paper used exploratory and participatory modes of essential investigation. Thinks were conducted to assemble essential information, an arrangement of semi-structured interviews was conducted with 4 UK and 4 Kuwaiti costumiers to inspire data on understanding their sustainable design process into making costumes. This paper will survey the discoveries of investigating ventures and exploring the generation forms utilized by ensemble originators within the UK and Kuwait. It’ll demonstrate how the Kuwaiti costumers their behaviors, coupled with their need of knowledge with utilizing reusing and reusing methodologies to make ensembles, had expanded material squander and adversely influenced the Kuwait theater ensemble plan industry.
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