复制品的独创性:封面版本与混音实践中的版本

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Eduardo Navas
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引用次数: 3

摘要

本文分析了翻唱版本作为音乐录制和表演中复制的一种具体形式,并将其作为混音实践中创作过程中的文化变量进行了评价。这一分析表明,封面版本、版本控制、编辑、采样和混音都依赖于复制,因此,我最终关注的是副本与原件以及副本与副本的关系。本文考察的另一个重要因素是,作为交流的基本原则,选择性在创作过程中所起的作用,以及它如何形成关于原创和复制定义的各种流行和个性化假设。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Originality of Copies: Cover Versions and Versioning in Remix Practice
abstract:In this article I analyze the cover version as a specific form of copying in music recording and performance, and then evaluate it as a cultural variable that is part of the creative process in remix practice. This analysis demonstrates that cover versions, versioning, editing, sampling, and remixing are dependent on copying and, for this reason, my eventual focus is on the relation of copies to originals and copies to copies. Another important element examined throughout the essay is the role of selectivity in the creative process as a foundational principle of communication and how it shapes varying popular and individualized assumptions about definitions of originals and copies.
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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