美术教育课程中工艺的重新建构

Q1 Arts and Humanities
Nanyoung Kim
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引用次数: 0

摘要

作为一名实习学生的大学导师,我有幸亲眼目睹了临床老师们创造和教授的有趣项目。北卡罗来纳州格林维尔东部小学的美术老师夏洛特·卡斯诺夫给五年级学生上了一堂这样的课:“让你内心的怪物出来”。在这个项目中,学生们(1)学习了基本的缝合技术;(2) 观看并讨论了艺术家凯瑟琳·扎奇诺(又名“容克·简”,见图1)制作的“艺术玩偶”,以了解像缝制的“玩偶”这样的日常物品如何成为一件神奇的艺术品;(3) 探讨了与各种情绪相关的面部特征,这是视觉交流的基本词汇;和(4)规划和建造自己的怪物玩偶,切割和缝合织物,用人造棉填充形状,并用不同的材料装饰它们,这一过程鼓励学生从逻辑和程序上思考。这个项目有我喜欢在艺术课上看到的一切:认真学习一项技能,强调多步骤的程序,并将孩子们自己的个人选择与成年艺术家的灵感相结合。此外,这是一个以工艺为中心的项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reformulating Crafts in Art Education Curriculum
As a university supervisor for intern students, I have the unique pleasure of witnessing interesting projects created and taught by clinical teachers. One such lesson was “Let Your Inner Monster Out,” taught by art teacher Charlotte Kassnove to 5th graders at the Eastern Elementary School in Greenville, North Carolina. In this project, the students (1) learned basic stitching techniques; (2) looked at and discussed the “art dolls” made by artist Catherine Zacchino (a.k.a. “Junker Jane”; see Figure 1) to learn how an everyday object like a sewn “doll” can be a fantastic artwork; (3) explored facial features related to various emotions, which is a basic vocabulary for visual communication; and (4) planned and constructed their own monster dolls, cutting and stitching fabrics, stuffing forms with artificial cotton, and decorating them with different materials, a process that encouraged the students to think logically and procedurally. This project had everything I like to see in art classes: the serious acquisition of a skill, emphasis on multistep procedures, and the incorporation of children’s own personal choices with inspiration from an adult artist. Moreover, it is a project that centers on crafts.
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来源期刊
Art Education
Art Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
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