《大气噪音:洛杉矶的无限都市主义》作者:玛丽娜·彼得森。达勒姆,北卡罗来纳州:杜克大学出版社,2021年。

IF 0.2 1区 艺术学 N/A MUSIC
A. Kluth
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引用次数: 0

摘要

像吉米·沃恩这样的导师。麦克的仔细分析揭示了学徒制在布鲁斯传统中的作用和被掩盖的方式。通过将自传体故事融入蓝调的概念,这本书是一部开创性的作品,将为蓝调、流行音乐、美国研究、黑人研究和媒体研究的学者奠定基础。这本书面向的是学术观众,但对于高级本科生和普通观众来说,它的写作足够容易理解和吸引人。麦克的工作提供了一个新的分析框架,用于考虑谁可以参与蓝调以及如何参与,同时定位和挑战还原性比喻以及剥削性和挪用性参与者。未来的学者可以在这项工作的基础上,将蓝调行业——包括蓝调唱片公司、非营利组织、蓝调协会、蓝调电台和音乐节巡回演出——如何融入这些对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.
mentors like Jimmy Vaughan from the narrative. Mack’s careful analysis reveals the ways in which apprenticeships both function and are obscured in blues traditions. By incorporating autobiographical storytelling into the concept of blues, this book is a groundbreaking work that will be foundational for scholars of blues, popular music, American studies, Black studies, and media studies. The book is aimed at scholarly audiences, but the writing is accessible and engaging enough for advanced undergraduates and general audiences. Mack’s work offers a new analytical frame for considering who can participate in blues and how, while simultaneously locating and challenging reductive tropes and exploitative and appropriative participants. This work could be built upon by future scholars to include how the blues industry—including blues labels, nonprofits, blues societies, and the blues radio and festival circuit—factors into these conversations.
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CiteScore
0.90
自引率
0.00%
发文量
49
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