{"title":"清代山水画中的水墨虚性","authors":"R. Shields, Guoyan Zheng","doi":"10.1080/01426397.2022.2121809","DOIUrl":null,"url":null,"abstract":"Abstract This study considers virtuality in Qing ink wash landscape paintings via an album by Pan Gongshou (1741–94). We examine the painterly devices by which a liminal, ‘virtual,’ space is constructed as a ‘realm’ or world in which the viewer is synaesthetically absorbed into a landscape image. Landscape in this tradition is not a pure creation of the human gaze, nor a representation of material elements and topography. We examine the painterly devices through which a sublime loss of critical distance is linked to the represented elements to absorb the viewer into what Wang Guoweii (1877–1927) proposed as a ‘realm without self.’ Virtualities are intangible but real; they supplement material elements that are represented, changing their meaning and affect. These qualities are at the heart of a geometry of gazes and relations that compose the visual experience of a virtual landscape.","PeriodicalId":51471,"journal":{"name":"Landscape Research","volume":"47 1","pages":"1039 - 1051"},"PeriodicalIF":1.7000,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ink wash virtualities in Qing landscape painting\",\"authors\":\"R. Shields, Guoyan Zheng\",\"doi\":\"10.1080/01426397.2022.2121809\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This study considers virtuality in Qing ink wash landscape paintings via an album by Pan Gongshou (1741–94). We examine the painterly devices by which a liminal, ‘virtual,’ space is constructed as a ‘realm’ or world in which the viewer is synaesthetically absorbed into a landscape image. Landscape in this tradition is not a pure creation of the human gaze, nor a representation of material elements and topography. We examine the painterly devices through which a sublime loss of critical distance is linked to the represented elements to absorb the viewer into what Wang Guoweii (1877–1927) proposed as a ‘realm without self.’ Virtualities are intangible but real; they supplement material elements that are represented, changing their meaning and affect. These qualities are at the heart of a geometry of gazes and relations that compose the visual experience of a virtual landscape.\",\"PeriodicalId\":51471,\"journal\":{\"name\":\"Landscape Research\",\"volume\":\"47 1\",\"pages\":\"1039 - 1051\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2022-09-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Landscape Research\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/01426397.2022.2121809\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ENVIRONMENTAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Landscape Research","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/01426397.2022.2121809","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ENVIRONMENTAL STUDIES","Score":null,"Total":0}
Abstract This study considers virtuality in Qing ink wash landscape paintings via an album by Pan Gongshou (1741–94). We examine the painterly devices by which a liminal, ‘virtual,’ space is constructed as a ‘realm’ or world in which the viewer is synaesthetically absorbed into a landscape image. Landscape in this tradition is not a pure creation of the human gaze, nor a representation of material elements and topography. We examine the painterly devices through which a sublime loss of critical distance is linked to the represented elements to absorb the viewer into what Wang Guoweii (1877–1927) proposed as a ‘realm without self.’ Virtualities are intangible but real; they supplement material elements that are represented, changing their meaning and affect. These qualities are at the heart of a geometry of gazes and relations that compose the visual experience of a virtual landscape.
期刊介绍:
Landscape Research, the journal of the Landscape Research Group, has become established as one of the foremost journals in its field. Landscape Research is distinctive in combining original research papers with reflective critiques of landscape practice. Contributions to the journal appeal to a wide academic and professional readership, and reach an interdisciplinary and international audience. Whilst unified by a focus on the landscape, the coverage of Landscape Research is wide ranging. Topic areas include: - environmental design - countryside management - ecology and environmental conservation - land surveying - human and physical geography - behavioural and cultural studies - archaeology and history