{"title":"颠覆的力量:未来充满创造力在Te Ahurei Toi o Tāmaki(奥克兰艺术节)","authors":"Shona McCullagh, Sarah Thomasson","doi":"10.1080/10486801.2022.2118733","DOIUrl":null,"url":null,"abstract":"Abstract Shona McCullagh, Artistic Director of Auckland Arts Festival, Te Ahurei Toi o Tāmaki, speaks to Sarah Thomasson about her experience of festival programming during the pandemic and the challenges and opportunities artists and festivals in Aotearoa will face in the future.","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"32 1","pages":"319 - 322"},"PeriodicalIF":0.3000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Power of Disruption: The Future Is Creatively Vibrant at Te Ahurei Toi o Tāmaki (Auckland Arts Festival)\",\"authors\":\"Shona McCullagh, Sarah Thomasson\",\"doi\":\"10.1080/10486801.2022.2118733\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Shona McCullagh, Artistic Director of Auckland Arts Festival, Te Ahurei Toi o Tāmaki, speaks to Sarah Thomasson about her experience of festival programming during the pandemic and the challenges and opportunities artists and festivals in Aotearoa will face in the future.\",\"PeriodicalId\":43835,\"journal\":{\"name\":\"CONTEMPORARY THEATRE REVIEW\",\"volume\":\"32 1\",\"pages\":\"319 - 322\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10486801.2022.2118733\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10486801.2022.2118733","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
摘要奥克兰艺术节艺术总监Te Ahurei Toi o Tāmaki Shona McCullagh向Sarah Thomasson讲述了她在疫情期间的艺术节编程经验,以及艺术家和艺术节在未来将面临的挑战和机遇。
The Power of Disruption: The Future Is Creatively Vibrant at Te Ahurei Toi o Tāmaki (Auckland Arts Festival)
Abstract Shona McCullagh, Artistic Director of Auckland Arts Festival, Te Ahurei Toi o Tāmaki, speaks to Sarah Thomasson about her experience of festival programming during the pandemic and the challenges and opportunities artists and festivals in Aotearoa will face in the future.
期刊介绍:
Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.