《Benedictus es domine》，《烈焰炉中三个孩子的颂歌》

IF 0.5 1区艺术学 0 MEDIEVAL & RENAISSANCE STUDIES

Plainsong & Medieval Music Pub Date : 2021-10-01 DOI:10.1017/s0961137121000127

T. Bailey

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引用次数: 0

摘要

摘要《但以理书》中的沙得拉、米煞和亚伯德内戈的赞美诗在米兰作为安布罗斯·玛廷斯在所有星期日和节日的第一首圣歌演唱。圣多明各在米兰的礼拜仪式中有着特殊的重要性：它不仅是当天的第一次选举，而且被视为统一早间办公室的共同主题。那些研究米兰圣歌的人会对其表演的细节感兴趣，但希望即使是那些通常不注意安布罗西安的人也会欢迎在仪式的最后阶段展示其非凡的复杂性。

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Benedictus es domine, the Ambrosian Canticle of the Three Children in the Fiery Furnace

Abstract The hymn of Shadrach, Meshach and Abednego from the Book of Daniel was sung in Milan as the first canticle of Ambrosian Matins on all Sundays and festivals. The Benedictus es domine had a special importance in the Milanese liturgy: it was not only the first lection of the day, but was also seen as providing a common theme unifying the morning office. Those who study Milanese chant will be interested in the details of its performance, but the hope is that even those who do not usually take note of things Ambrosian will welcome an illustration of the extraordinary complexity that characterises the Rite in its final stage.

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来源期刊

Plainsong & Medieval Music Multiple-

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0.50

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期刊介绍： Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.