阿多诺的因果批判:利盖蒂通过atmospheres提出的哲学音乐建议

IF 0.1 0 PHILOSOPHY
M. Muñoz
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引用次数: 0

摘要

本文分为两个部分:一方面,试图概述阿多诺因果关系批判的基本观点,特别是对亚里士多德和康德的批判。另一方面,它在他自己的哲学项目中明确了这种批评的漂移,在他晚期的思想中,哲学项目特别关注达姆施塔特年轻作曲家的音乐。利盖蒂的《大气》是解释阿多诺思想中哲学与音乐交叉的基础作品之一,尤其是对因果关系问题的阐述
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La crítica a la causalidad en T. W. Adorno: un propuesta filosófico-musical a través de Atmosphères, de Ligeti
This article has two parts: on the one hand, it attempts to outline the fundamental points of T. W. Adorno's critique of causality and, in particular, in reference to Aristotle and Kant. On the other hand, it made explicit the drift of this criticism in his own philosophical project, which pays special attention, in his late thoughts, to the music of the young composers of Darmstadt. Ligeti’s Atmospheres is one of the fundamental works to account for the crossover between philosophy and music in Adornian thought and, in particular, witheregard to the problem of causality
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CiteScore
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