死亡在媒体叙事中的表现:小说《老奇科》的诗学

Míriam Cristina Carlos Silva, Bruna Emy Camargo
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引用次数: 0

摘要

本文试图理解由Rede Globo制作的肥皂剧“Velho Chico”(Gshow, 2016)的诗意叙事中存在的死亡表征。我们从传播作为事件、纽带和技巧的概念出发,最后一个概念是基于对死亡的意识,这是一种困扰人类并产生文化的现象。在这里,肥皂剧被理解为一种对世界现象的再现、解释、批评和重构。肥皂剧Velho Chico中对死亡的诗意表现,敏感地将死亡作为一种自然和文化现象,除了作为叙事项目之间的联系,更重要的是,深刻的人类联系。关键词:死亡的诗意表现,食人,死亡之路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representações da morte nas narrativas midiáticas: a poética da novela Velho Chico
This paper seeks to understand the representations of death present in the poetic narrative of the soap opera “Velho Chico” (Gshow, 2016), produced by Rede Globo. We start from the concepts of communication as an event, bonding and artifice, the last one based on the consciousness of mortality, phenomenon which distresses the human being and produces culture. Here, the soap opera is understood as a form of representation, interpretation, criticism and reconstruction phenomena of the world. The poetic aspects present in the representations of death in the soap opera Velho Chico, sensitively approach the mortality as a nature and culture phenomenon, aside from being the link between the narrative items and, more than this, the profound human link. Keywords: poetic representations of death, anthropophagy, Velho Chico.
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