唤起记忆:听觉增强现实与历史复述

IF 0.2 4区 艺术学 Q2 Arts and Humanities
Verónica Soria-Martínez
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引用次数: 1

摘要

本文讨论了艺术家使用增强现实以及公共空间录音或数据的声音艺术项目。这里提到的所有工作都是从2010年到2016年在西班牙进行的。在它们中,记忆通过通信技术促进的社交互动与物理空间联系在一起;听众通过使用移动设备来参与其中。这些实践考虑了声音在公共空间中展示记忆的作用,从而构成了一种主观记忆,与一个地方历史的制度叙事形成对比。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Resounding Memory: Aural Augmented Reality and the Retelling of History
This text discusses sound art projects in which artists have used augmented reality along with recordings or data of public spaces. All the works mentioned here were carried out in Spain from 2010 to 2016. In them, memories become tied to the physical space through social interactions facilitated by communication technologies; listeners get involved through the use of mobile devices. These practices consider the role of sound in the display of memories in the public space, thus configuring a subjective memory that contrasts with the institutional narrations of the history of a place.
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来源期刊
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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