在设计之前,超越设计:阐释“本体论设计”

IF 0.7 3区 艺术学 0 ART
C. Tonkinwise
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引用次数: 0

摘要

摘要Graeber和Wengrow(2021)在他们的新书中记录了无数的社会,以及考古记录中显而易见的社会组织的实验和变化。尽管这本有争议的宏观史并没有直接涉及非建筑设计研究,但我认为设计师应该阅读这本书,因为它对设计的基本假设提出了几个挑战:许多设计理论和教育的欧洲中心主义;设计仅在晚期资本主义社会中的地位;工艺与设计的区别是前现代非审慎的物质实践;以及以用户为中心的设计。相反,Graeber和Wengrow认为,设计师一直是——也可以而且应该是——更雄心勃勃的社会实验的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Before Design, More-than-Design: Elucidating “Ontological Design”
Abstract In their new book, Graeber and Wengrow (2021) document the myriad societies and the amount of experimentation and change in social organization that is evident in the archaeological record. Although this controversial macrohistory does not directly speak to non-architectural design studies, I argue that the book should be read by designers, because it poses several challenges to fundamental assumptions about designing: the Eurocentrism of much design theory and education; the location of design solely in late capitalist societies; the distinction of craft from design as a pre-modern non-deliberative material practice; and the focus on user-as-owner-centered design. Instead, Graeber and Wengrow suggest that designers have been – and so can and should be – sources of more ambitious social experimentation.
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CiteScore
1.80
自引率
0.00%
发文量
34
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