通往布宜诺斯艾利斯的道路是由好设计铺就的:创造世界的幻想和拉丁美洲工业设计展览

IF 0.4 1区 艺术学 0 ART
Patricio del Real
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引用次数: 0

摘要

1970年,阿根廷实业家和文化企业家试图利用工业设计来重振停滞的经济。他们与国际理事会和现代艺术博物馆建筑与设计部合作,将现代艺术博物馆的400多件设计收藏品带到布宜诺斯艾利斯。由Emilio Ambasz牵头的展览“20世纪工业设计”将在布宜诺斯艾利斯有效地复制纽约的机构。在无序的力量消解阿根廷社会凝聚力的背景下,MoMA试图在一场拉丁美洲消费者灵魂的文化战争中,为“好设计”(Good Design)的修订版提供支持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Road to Buenos Aires Is Paved with Good Design: Worldmaking Fantasies and the Latin American Industrial Design Exhibition
ABSTRACT In 1970, Argentinian industrialists and cultural entrepreneurs sought to harness industrial design to reenergize a stalled economy. In collaboration with the International Council and the Department of Architecture and Design of the Museum of Modern Art, they worked to bring to Buenos Aires more than 400 objects of MoMA’s design collection. Spearheaded by Emilio Ambasz, the exhibition 20th Century Industrial Design would effectively reproduce the New York institution in Buenos Aires. Amid entropic forces dissolving the social cohesion of Argentine society, MoMA sought to champion a revised version of Good Design in a cultural battle for the souls of Latin American consumers.
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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