{"title":"让·穆顿:五声部赞美诗中的正典、恒声和“组合冲动”","authors":"P. Macey","doi":"10.1484/j.jaf.5.116520","DOIUrl":null,"url":null,"abstract":"Howard Mayer Brown’s 1991 article on Jean Mouton’s motets for six voices provides the starting point for this study, which examines the composer’s distinctive use of canons and varied contrapuntal ...","PeriodicalId":36633,"journal":{"name":"Journal of the Alamire Foundation","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jean Mouton: Canon, Cantus Firmus, and the ‘Combinative Impulse’ in Motets for Five Voices\",\"authors\":\"P. Macey\",\"doi\":\"10.1484/j.jaf.5.116520\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Howard Mayer Brown’s 1991 article on Jean Mouton’s motets for six voices provides the starting point for this study, which examines the composer’s distinctive use of canons and varied contrapuntal ...\",\"PeriodicalId\":36633,\"journal\":{\"name\":\"Journal of the Alamire Foundation\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Alamire Foundation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.jaf.5.116520\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Alamire Foundation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.jaf.5.116520","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Jean Mouton: Canon, Cantus Firmus, and the ‘Combinative Impulse’ in Motets for Five Voices
Howard Mayer Brown’s 1991 article on Jean Mouton’s motets for six voices provides the starting point for this study, which examines the composer’s distinctive use of canons and varied contrapuntal ...
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