流动的内/可见图像：跨国移民个人档案中的社会性和模拟-数字物质性

IF 0.4 Q3 ANTHROPOLOGY

Visual Anthropology Pub Date : 2021-08-08 DOI:10.1080/08949468.2021.1944770

Simone Pfeifer, Ulfrid Neumann

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引用次数: 0

摘要

本文探讨了作为个人移民档案的肖像图像、结婚相册和Facebook图像。通过研究图像的特定时间性和模拟-数字物质性，我们从女性的角度揭示了它们对柏林和达喀尔塞内加尔人跨国社会建构的意义。通过面向不同的受众，移民档案的所有者有目的地让他们看到，创造出性别化和代际化的“亲密公众”。基于积极的个人移民档案的概念，我们将档案视为社交距离较近但地理位置较远的人之间渴望和交流的资源。

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In/Visible Images of Mobility: Sociality and Analog–Digital Materiality in Personal Archives of Transnational Migration

This article explores portrait images, wedding albums and Facebook images as personal migrant archives. Examining the particular temporalities and the analog–digital materialities of the images, we unfold their significance for the construction of transnational sociality among Senegalese in Berlin and Dakar, from the perspective of women. By addressing distinct audiences the archives of migration are purposefully made (in)visible by their owners, creating gendered and generational “intimate publics.” Foregrounding the notion of the active personal migrant archive, we see the archive as a resource for aspiration and communication among socially close yet geographically distant persons.

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来源期刊

Visual Anthropology ANTHROPOLOGY-

CiteScore

1.00

自引率

50.00%

发文量

期刊介绍： Visual Anthropology is a scholarly journal presenting original articles, commentary, discussions, film reviews, and book reviews on anthropological and ethnographic topics. The journal focuses on the study of human behavior through visual means. Experts in the field also examine visual symbolic forms from a cultural-historical framework and provide a cross-cultural study of art and artifacts. Visual Anthropology also promotes the study, use, and production of anthropological and ethnographic films, videos, and photographs for research and teaching.